Critical Acts
Latin American Women and Cultural
Criticism
by
Elizabeth A. Marchant
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this Book now
Moving deftly across the gap
between Portuguese- and Spanish-speaking Latin America,
Elizabeth Marchant examines the writing of three
important women intellectuals of the early 20th century:
Lúcia Miguel Pereira (Brazil), Victoria Ocampo
(Argentina), and Gabriela Mistral (Chile).
Though Marchant acknowledges the persistence of the
"bearded academy"referring to the
male-dominated nature of literary institutions--she
challenges the assumption that women did not engage in
the production of culture and knowledge in modern Latin
America. Looking at the broad contexts in which the three
authors wrote, she explores their views on race, culture,
gender, and
national identity, bringing into focus women's impact on
the writing of the history of ideas in Latin America as
well as their traditional influence as writers of
personal themes. She also examines the neglected study of
the critical essay as a genre.
Solidly grounded in feminist theory, cultural criticism,
and social history, this book offers important
ground-breaking perspectives on the issue of gender
criticism and the study of Third World women writers.
Elizabeth A. Marchant is assistant professor of Spanish
and Portuguese at the University of California, Los
Angeles. She has written articles on contemporary
Afro-Brazilian literature and cultural studies.
1999. 152pp. 6 X 9.
Notes, works cited, index.
ISBN 0-8130-1683-5 Cloth, $49.95s
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"Demonstrates how women found strategies to engage in the production of culture and knowledge at a time and it societies in which the boundaries between public and private spheres for women were strongly reinforced. Critical Acts shows us how reading non-canonical writings in conjunction with the canonical can change our understanding of both."
-- Revista De Estudios Hispanicos
"This is an erudite, well-written text by a fair-minded scholar successfully tackling a subject that demands substantial range and depth."--
Feministas Unidas
"A clear,
well-written, and cogent study of three major women
intellectuals and their positions as creative writers and
cultural critics in Latin America."--Francine
Masiello, University of California, Berkeley
"Insightful and often brilliant . . . especially
important in countering the traditional thought that
posits the notion that women did not engage in the
production of culture and knowledge in 20th-century Latin
America."--Susan C. Quinlan, University of
Georgia
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