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Crescent
Rivers
Waterways of Florida’s Big Bend Todd Bertolaet Foreword by D. Bruce Means Panoramic windows onto one of the state’s most pristine waterways—from Tampa Bay to the Ochlockonee River, along the Big Bend’s maze of swamps, spring-fed streams, salt marshes, and wet cabbage-palm forests—from one of Florida’s finest photographers. 1998. 80 pp. 11 X 8.5. 55 b&w duotone photos. ISBN 0-8130-1614-2 Cloth, $29.95 Visions of Florida Woody Walters Essay by Lola Haskins Walters’s black-and-white images reveal the hidden richness in the sparse landscape, flat terrain, and tropical marsh that is Florida’s quiet beauty. This collection of 71 of his pictures of the land and its people, from morning mist in Tallahassee to evening storms over Longboat Key, offers an evocative window on the real Florida. 1994. 81 pp. 13 X 10. 71 duotone prints. ISBN 0-8130-1289-9 Cloth, $35.00 Farm
Security Administration Michael Carlebach "These images, with meticulous craftsmanship, documentary power, and artistic sensitivity, transcend their origins as political persuasion for social legislation. They speak to us as powerfully today as they did almost 50 years ago. Perhaps they are the real Florida."—Tallahassee Democrat 1993. 139 pp. 94 b&w photos, index. ISBN 0-8130-1212-0 Cloth,
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Uelsmann / Yosemite Jerry N. Uelsmann "Few Americans have so effectively as Uelsmann rendered in art the union of the human with the natural."—David Robertson, University of California, Davis 1996. 80 pp. 64 duotone plates. ISBN 0-8130-1444-1 Cloth,
$39.95 Uelsmann Jerry N. Uelsmann Essay by John Ames Uelsmann narrates his own creative process in a fascinating visual account of a single day’s work in the darkroom. The reader watches the photograph grow as Uelsmann adds elements to the composite and subtracts others—a rare opportunity to observe the artist at work. 1985. 128 pp. 90 duotone plates. ISBN 0-8130-0830-1 Paper, $24.95 Jerry
Uelsmann Jerry N. Uelsmann "The photomontages of Jerry N. Uelsmann are as instantly recognizable as any photographic images made in the second half of the century now drawing to a close. Today, they stand as germinal, the progenitors of an approach to photographic image making so well-established and widespread that it’s strange to recall (and, for a younger audience, no doubt difficult to imagine) the storm of controversy that raged around them when they first began appearing in the early 1960s."—A.D. Coleman, Tisch School of the Arts, New York University 1992. 128 pp. 9 X 12. 115 200-line duotones. ISBN 0-8130-1159-0 Cloth,
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