Four contemporary authors explore the vices and virtues of deception and how it manifests in ways personal, psychological, propulsive, and profound.
Browse by Subject: Literature
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A rare glimpse into the history and literary culture of the Cuban community in Key West in the early twentieth century, this book makes the poetry of Feliciano Castro—a writer, printer, editor, and cigar factory lector—available in English for the first time.
In this book, Lynn Ramey explores the life and works of Jean Bodel, a twelfth-century French poet, playwright, and epic writer, providing translations and summaries of works never published before in English while delving into Bodel’s historical and cultural context.
This book offers the first critical edition of the forty short texts James Joyce called “epiphanies.” Presenting the texts with background information and thorough annotations, this edition provides a vivid insight into Joyce’s art.
This volume immerses readers in a debate tradition that flourished in France during the late Middle Ages, focusing on two works that were both popular and controversial in their time and the discussions they sparked surrounding questions of women’s agency, love, marriage, and honor.
In this collection of wide-ranging essays representing fifty years of scholarship on Laurence Sterne, Melvyn New brings Sterne into conversation with other authors from the past three centuries.
Using genetic criticism, an approach focused on the materiality of the writing process, this book shows how the creative process of modernist writer James Joyce can be reconstructed from his manuscripts.
Examining the role of boundaries and limits in James Joyce’s later works, primarily Finnegans Wake but also Ulysses and other texts, this book explains and reconciles Joyce’s contrary tendencies to establish and transgress limits and shows the Wake’s relevance to many different fields of thought.
In this book, Neil Davison argues that Albert Altman, a Dublin-based businessman and Irish nationalist, influenced James Joyce’s creation of the character of Leopold Bloom as well as Ulysses’ broader themes surrounding race, nationalism, and empire.
This book examines the rise of an influential new family of poetry in the late Middle Ages, analyzing why the allegorical first-person romance embedded itself in the vernacular literature of Western Europe and remained popular for more than two centuries.