In this volume, Molly Ball examines the experiences of São Paulo’s working class during Brazil’s Old Republic, combining social and economic methods to present a robust historical analysis of everyday life along racial, ethnic, national, and gender lines.
Browse by Subject: History
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In the first history of Spanish-language television in the United States, Craig Allen traces the development of two prominent yet little-studied powerhouses, Univision and Telemundo. Allen tells the inside story of how these networks fought enormous odds to rise as giants of mass communication, questioning monolingual and Anglo-centered versions of U.S. television history.
This is the story of the Bay of Pigs invasion, told for the first time in the words of the idealistic participants who came together in April, 1961, to overthrow Fidel Castro’s dictatorship. Most of the approximately 1,500 men of Brigade 2506 were
Translated into English with extensive notes and a wealth of supplementary material, this narrative of a nineteenth-century Cuban émigré brings to life the early Cuban exile communities in Tampa.
This in-depth examination of one of the most controversial episodes in U.S.-Cuba relations sheds new light on the program that airlifted 14,000 unaccompanied children to the United States in the wake of the Cuban Revolution. Operation Pedro Pan is often remembered within the U.S. as an urgent “rescue” mission, but Deborah Shnookal points out that a multitude of complex factors drove the exodus, including Cold War propaganda and the Catholic Church’s opposition to the island’s new government.
In this exploration of Colombian drug lord Pablo Escobar’s impact on popular culture, Aldona Bialowas Pobutsky shows how Escobar’s legacy inspired the development of narcocultura—television, music, literature, and fashion representing the drug-trafficking lifestyle—in Colombia and around the world.
Framed by the stories of Hurricane Maria evacuees, Tossed to the Wind is the gripping account of the wreckage, despair, and displacement left in the wake of one of the deadliest natural disasters on U.S. soil. It is also a story of hope and endurance as Puerto Ricans on the island shared what little they had and the diaspora in Florida offered refuge.
The Insubordination of Photography is the first book to analyze how various collectives, organizations, and independent media used photography to expose and protest the crimes of Chilean dictator Augusto Pinochet’s regime. Featuring never-before-seen photos and other archival material, this book reflects on the integral role of images in public memory and issues of reparation and justice.
Set against the sweeping backdrop of one of the most dramatic refugee crises of the twentieth century, The Mariel Boatlift presents the stories of Cuban immigrants to the United States who overcame frightening circumstances to build new lives for themselves and flourish in their adopted country.
In this extensively researched book, Anna Clayfield challenges contemporary Western views on the militarization of Cuba. She argues that, while the pervasiveness of armed forces in revolutionary Cuba is hard to refute, it is the guerrilla legacy, ethos, and image—guerrillerismo—that has helped the Cuban revolutionary project survive. The veneration of the guerrilla fighter has been crucial to the political culture’s underdog mentality.