This volume elucidates the ways Joyce wrote about his homeland with conflicting bitterness and affection--a common ambivalence in expatriate authors, whose time in exile tends to shape their creative approach to the world.
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A long overdue extended comparison of two of the most compelling writers of the twentieth century.
Reveals the geographic terms through which American modernist poetry interrogated prevailing ideas of orientalism, primitivism, and American exceptionalism.
Drawing on archival materials, including notes, correspondence, and marginalia, W. Jason Miller provides a completely original and compelling argument that Hughes's influence on King's rhetoric was, in fact, evident in more than just the one famous speech.
Looking at the writing of three Irish expatriates who lived in Trieste, London, and Paris, Nels Pearson challenges conventional critical trends that view their work as either affirming Irish anti-colonial sentiment or embracing international identity.
Reassessing Lawrence's relationship to American modernism and his American literary contemporaries, Jenkins offers new insights into the literary exchange between America and Europe.
With this volume, Jane Chance concludes her monumental study of the history of mythography in medieval literature. Her focus here is the advent of hybrid mythography, the transformation of mythological commentary by blending the scholarly with the courtly and the personal.
This volume presents two rare works by the American modernist H.D.: Within the Walls, a collection of fourteen short stories, and What Do I Love?, a set of three long poems.
Barbara Lounsberry traces Woolf’s development as a writer through her first twelve diaries--a fascinating experimental stage, where the earliest hints of Woolf’s pioneering modernist style can be seen.